This illusion has been common to each new epoch to this day. As the Natural Individual appropriate to their notion of human nature, not arising historically, but posited by nature. Not as a historic result but as history’s point of departure. Smith and Ricardo still stand with both feet on the shoulders of the eighteenth-century prophets, in whose imaginations this eighteenth-century individual – the product on one side of the dissolution of the feudal forms of society, on the other side of the new forces of production developed since the sixteenth century – appears as an ideal, whose existence they project into the past. which in earlier historical periods make him the accessory of a definite and limited human conglomerate. In this society of free competition, the individual appears detached from the natural bonds etc. It is, rather, the anticipation of ‘civil society’, in preparation since the sixteenth century and making giant strides towards maturity in the eighteenth. This is the semblance, the merely aesthetic semblance, of the Robinsonades, great and small. As little as Rousseau’s contrat social, which brings naturally independent, autonomous subjects into relation and connection by contract, rests on such naturalism. The individual and isolated hunter and fisherman, with whom Smith and Ricardo begin, belongs among the unimaginative conceits of the eighteenth-century Robinsonades, which in no way express merely a reaction against over-sophistication and a return to a misunderstood natural life, as cultural historians imagine. Individuals producing in society – hence socially determined individual production – is, of course, the point of departure. The object before us, to begin with, material production. Production, Consumption, Distribution, Exchange (Circulation) (1) PRODUCTION Independent Individuals. XFade Master Mix Vol.Introduction Late August – Mid-September 1857 1. Means Of Production (The Singles 1995 - 1998)Īn Hour-Long Mix Of Grand Central Tracks By Aim The Habit Of A Lifetime And How To Kick It How It All Got Started - Curt Cazal Remix EP He has always been one of the most popular artists on GC with all his early work (Pacific North West EP, Soul Dive and Loopdreams EP) completely sold out and the subject of many internet vinyl junkies disappointment. One of his most famous tracks on stunt hero Evil Knievel (Original Stuntmaster) came from a 7" interview disc that he found on a car boot sale one Sunday morning coupled with an old Bobby Womack guitar sample, it is still a timeless classic that has seen a trademark use of film snippets - films being his second love. Working from his bedroom on an old Amiga, he spend the early hours of the morning churning out soulful funky instrumentals that charmed Mark Rae so much that was invited to join forces virtually on the spot. Not only keeping abreast of current hip hop, Aim scoured many charity and thrift shops robbing them of any old stuff that he could in turn use as 'breaks'. The Barrow based beat-smith often made the journey down from the Lakes in the search of new records that couldn't be found in his resident hinterland. Aim is one of the original members of the Grand Central roster and was discovered by Mark Rae back in the old days when Mark was working behind the counter of Fat City Records.
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